Polyphonia, Music of the World
Feb
16
3:00 PM15:00

Polyphonia, Music of the World

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To celebrate the union of music and dance that is inherent in the colorful, global expression of world and ethnic performance art traditions, World Arts West (WAW) is honored and excited to present its new two-weekend program, Polyphonia, Music of the World. The February 2020 performances at the newly renovated Presidio Theatre feature memorable and diverse world class musicians from more than 10 countries, including multi-Grammy nominee, Afro-Latin musician John Santos. As producer and presenter of the renowned San Francisco Ethnic Dance Festival, WAW has always been a foundation of outstanding talent of both dancers and musicians. Through Polyphonia, WAW casts the spotlight on the incredible musicians who have shared the stage with dancers over the course of the 40 years of the San Francisco Ethnic Dance Festival. Come and experience the resonating, international sound vibrations in a program that celebrates live music, including exciting cultural crossovers.

For more information, visit worldartswest.org

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Nov
1
2:15 PM14:15

Workshop at UCLA Herb Albert School of Music

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Week-long residency and "Taste of Ghana" performance @ Brandeis University
Nov
12
to Nov 16

Week-long residency and "Taste of Ghana" performance @ Brandeis University

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A Taste from Ghana will bring five world-class Ghanaian performing artists to Brandeis for a week of classes, workshops, and concerts. These musicians represent three of the major ethnic traditions of Ghana: Asante, Ewe, and Ga. These five artists will be brought together for the first time in history by Brandeis University to offer the campus and the community a holistic overview of Ghanaian music and culture. Together, they represent expertise in drumming, dancing, singing, language, and culture.

The final concert, which is more of a concert 'experience' will be held in Levin Ballroom. This celebratory event will attempt to create a Ghanaian festival atmosphere inside Brandeis. Breaking down the traditional separation between audience and performer, seating will be organized in a rectangular format around a central performance space, and will feature food, a professional drum & dance troupe from NYC, and community performers. While Ghanaian Drum and dance performances are now common in American universities, it is quite rare for universities to present African music outside of the traditional western context of a formal recital hall.

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